George Middleman

『匠 』 ジョージ・ミドルマン

ジョージ・ミドルマン

コロラド大学卒業後、彫刻家、デザイナー、画家である実父に弟子入り。

ベニスの時計台をモデルにしたデンバー市の歴史的象徴的建造物であるD&Fタワーの回収などを含む絵画塗装などを手がける。その後、ニューヨークでメリルリンチなど大手証券会社に勤務。その間日本語を学び、日本人ビジネスマンや大学院生などを対象の英語教師を兼務。

南西部に戻り、アリゾナで消える寸前の伝統的な手作りの手法による革細工法を現地に赴き残り少ない職人より学び、その後アメリカ全土で革細工の研究を重ねて以来長年の間高級手作り革細工製品の制作を続け、現在までに多くの有名人を顧客を得ている。ミス・ロデオ・アメリカや日本のテレビ局などとの企画も経験。顧客の多くは、ミュージシャンや世界中に広がる新しいブームになっているロカビリーファンである。

「昔は革を細工するということは人間の生活にありふれたものだったはずなのに、今はそういう風にして出来上がったものを見なくなった。こういう伝統的なものを残すこと、特にこれらの伝統芸術が作り出すものを見るが無かった人たちに見せてあげられることは素晴らしいことと思うのだ」

『伝統芸術を基本として、新しい色を作り出すこと、全く異なるデザインや手法を取り入れること、そして美しいものを創り出すこと、喜んでもらえること、これらには本当に心が沸く」

George Middleman

”After graduating at the University of Colorado, I apprenticed with my father, who has been a life-long artist, sculptor and designer. This apprenticeship included painting and various restoration of historical landmarks such as the D & FTower, Denver’s most famous landmark, which was modeled after a clock tower in Venice.”

”After closing the business due to a slow economy, and with no work prospects, I left for New York City, where I was quickly hired at my first job interview... Suddenly I was working in Wall Street, where I got experience at the biggest firms, such as Merrill Lynch."

"In time, as the New York economy also began to slow down, I began to think of returning to Denver, with its more relaxed lifestyle, as well as the classic cars I had left behind. I decided to bring my favorite Uncle Dave with me from New York as well and this became a huge job as I was the caregiver for him and his wife. After quite a while, a friend pressured me to get away for a vacation, insisting that I needed a break. We went on a road trip to Arizona, where by chance I just happened to see incredible hand-tooled leathercraft in a gift shop in Tombstone... "

"I was immediately fascinated and soon began to search for the old craftsmen, in order to study and learn from the old cowboys and others who have kept this craft alive. I have traveled all over the country to learn more about it, and over the years, as I have become more involved with leathercraft, I have had many prestigious and celebrity clientele as well. While tooled leathercraft was once a common part of people’s lives, most people these days rarely or never see such goods. I think it is great to be helping keep this traditional artwork alive, and especially to be able to expose it to so many who have never had the chance to see it before."

 

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